I Don’t Know How But They Found Me (or iDKHOW as it’s stylised) are exactly the kind of band who will annoy almost as many people as they will be adored by, and Razzmatazz is exactly the kind of album you would expect a band like that to make.
As the title might suggest this much anticipated debut is a flamboyant and retro-tinged concoction. In their more comparatively contemporary moments there is a little of The Killers, Electric Six and twenty one pilots to be heard. Addictive earworm New Invention has shades of Gary Numan whilst From The Gallows unexpectedly channels crooner-mode Marc Bolan via ELO with a dash of Radiohead’s Fitter, Happier. Several tracks such as Clusterhug and Sugar Pills just go full out glam. The title song is, ironically, one of the less bombastic tracks on the album and offers an efficiently straightforward indie-pop banger guaranteed to take up permanent residence in your brain for hours after listening to it.
From the funky Fame-esque bassline strut of opener Leave Me Alone to charmingly unexpected piano ballad Nobody Likes The Opening Band, a paean to the plight of the overlooked support act that wouldn’t sound entirely out of place on A Night At The Opera, this is a band who are not afraid to wear their influences on their sleeve but crucially manage to meld them together into something new, exciting and uniquely theirs.
A thoroughly enjoyable album that should appeal to anyone who likes their electro-indie-pop strutting effusively just on the right side of annoying.
ARTIST: I Don’t Know How But They Found Me
TOP TRACKS: Leave Me Alone, Nobody Likes The Opening Band, Razzmatazz, Sugarpills
MOOD: Glitzy and glitchy
With Reeder’s illustrious musical past encompassing connections to bands like Joy Division, New Order and Die Toten Hosen as well as the recent documentary ‘B-Movie (Lust & Sound in West Berlin)’ and Chosnau’s equally impressive resume both with Naktines Personos and as a solo artist it’s not a great surprise that Children of Nature is a fantastic tour of retro-tinged gothic electro.
From the opening melodic swoop of How Do You Feel? to the sparse rhythmic punch of Fade On, through the poppier and hooky title track and the punchy rock tinged Stand Up this album is stuffed with songs that feel instantly appealing and ask to be listened to over and over. In any righteous world I Can’t Share This Feeling would be a chart smash.
Meanwhile tracks such Drowning in You, Tonight, It’s Who You Are and (not a cover of the Stephen Sondheim song) Losing My Mind offer a more contemplative and occasionally darker, gloomier side to the album. Closing track Heartburn sees us out with a delicate and melancholic plea for hope.
Whilst this album plays with the moods and styles of something I would frame as gothic the overall feeling is optimistic, though never cloyingly so, and a welcome addition to these strange and difficult times.
TITLE: Children of Nature
ARTIST: Alanas Chosnau & Mark Reeder
MOOD: Gloomily futuristic optimistic
TOP TRACKS: I Can’t Share This Feeling, How Do You Feel?, Drowning In you
Birdhead released their genre bending electro-rock debut ‘Pleasure Centre’ to much acclaim nearly five years ago, so the soon to be released follow-up ‘Massive Aggressive’ has been a long time brewing. Thankfully it’s been worth the wait.
Traversing from wailing 80s guitar riffs, to throbbing funk, to vocals spat disdainfully Mark E Smith style at the listener, to the more mellow almost ambient moments of the record – Birdhead continue to do a remarkable job of making music that is both pleasingly angry, undeniably melodic and often surprisingly danceable.
Rock music for dance fans, dance music for rock fans. Music for everyone to get drunk at a disco and start a punch up to.
Highlight tracks for me are Custom Muscle, Sunsleeper, Tesseract, Autostrider, Beasts of England and the title track. This is an album with no duffers though and if you like your music with some meat on the bone (or muscle for that matter) then this one’s for you.
Massive Agressive is released on the 28th of September.
TITLE: Massive Aggressive