I Don’t Know How But They Found Me (or iDKHOW as it’s stylised) are exactly the kind of band who will annoy almost as many people as they will be adored by, and Razzmatazz is exactly the kind of album you would expect a band like that to make.
As the title might suggest this much anticipated debut is a flamboyant and retro-tinged concoction. In their more comparatively contemporary moments there is a little of The Killers, Electric Six and twenty one pilots to be heard. Addictive earworm New Invention has shades of Gary Numan whilst From The Gallows unexpectedly channels crooner-mode Marc Bolan via ELO with a dash of Radiohead’s Fitter, Happier. Several tracks such as Clusterhug and Sugar Pills just go full out glam. The title song is, ironically, one of the less bombastic tracks on the album and offers an efficiently straightforward indie-pop banger guaranteed to take up permanent residence in your brain for hours after listening to it.
From the funky Fame-esque bassline strut of opener Leave Me Alone to charmingly unexpected piano ballad Nobody Likes The Opening Band, a paean to the plight of the overlooked support act that wouldn’t sound entirely out of place on A Night At The Opera, this is a band who are not afraid to wear their influences on their sleeve but crucially manage to meld them together into something new, exciting and uniquely theirs.
A thoroughly enjoyable album that should appeal to anyone who likes their electro-indie-pop strutting effusively just on the right side of annoying.
ARTIST: I Don’t Know How But They Found Me
TOP TRACKS: Leave Me Alone, Nobody Likes The Opening Band, Razzmatazz, Sugarpills
MOOD: Glitzy and glitchy